"Reveal What's Real". Seth and I speak candidly about our profession.

Watch video>>>>Reveal What's Real<<<<< Gap fills.

1.Tattoo schools ran by people that cannot tattoo and charge huge amounts of money to teach people what they don't know how to do within my trade, is a scam that needs to stop.

My shared opinion that reputable tattooers are not teaching the main public how to tattoo in Oregon, says a lot for the climate of who is making a living at pushing forward new fledglings into our industry. There are maybe two people I would suggest going to in this state that will teach a person, how to tattoo and all that comes with that responsibility. That's it. Two.

The system is not perfect. It never was and is long due for a new standard that eliminates the possibility of a defunct tattooer that couldn't make it tattooing from taking ten thousand dollars a pop from some naive person, just wanting a career change or looking for a life profession. Am I going to make this change by starting a school? No. I have no desire to make a living off of making more tattooers. I've had two main apprentices in my twenty six years. Who earned their apprenticeships not by paying for them. I helped flame a few other fires that I believed in, that if they could make it, would aspire to making a good change in this business for the better. And they did. If you are wanting to be a tattooer. Ask yourself, what is your reason for wanting to become a tattooer? I'm wondering what motivates everyone these days. Is it really only to make money and be famous? Yicks. Since only a couple of decades ago, we weren't regarded with much respect in society or acknowledged as being a viable trade.

2.There are tattoo pigments that are food grade and not harmful to the body. We use them daily.

The sad part of firing off answers in this type of format, is not all of a conversation is conveyed to point or made in the cut. Our filmed conversation was about the changes that came in the nineties when tattooing started getting more main stream. There was a huge surge of new companies (not ran by tattooers) popping up that were making easy to apply pigments. Bright easy to put in colors that ended up being toxic. I stayed true with my first supply company if I was not using my own pigments. At one of the shops I was working at we banned in coming artists from using a particular brand of pigment in our shop and was then threatened by the company not to slander their product after we requested a material safety data sheet. Which they refused to give us upon request.

I guess my point in bringing up something like this was how important it is for people to use the available technology to inform oneself as to whom they are getting tattooed by. If you are going to invest your money on body art, make sure you are going to someone who is qualified, educated, practices some ethics, and is trained in knowing what they are doing to you as well as what they are putting into you.

3. Fad or Art?

I've got some really beautiful work on me and I've got some really goofy tattoos on me that I got with other tattooer friends. Spontaneous tattoos to mark some silly bonding moments in some forgotten city adventures.

Do I care what I put on people...yes and no. I do practice a huge amount of responsibility as to what I am tattooing and on whom. Every person is different. Every single one of you. If a person comes in that hasn't figured out what they want to do with the rest of their life, or is in a questionable mental state and just wants to say fuck off to their parents/society by having me tattoo their face or hands. Yeah, I'm not your girl.

If you have figured out who the hell you are in this life and can live with the consequences of your actions and want to take the shock out of the closet...yeah, I may help you with that experience. All depends on who you are and how you will live it. I'm not here on this planet to help anyone compound their life with more suffering. I learned early in my career how terrible that can be.

I love tattooing and would rather make some beautiful piece on you that you can share with your future grand kids. Knowing you will not regret it later in life. Every ten years it seems the fads come back and reinvent themselves. Bastardized tribal is out now, which means it will be back in again someday not too long from now. Just like traditional americana was out for awhile and then made a huge comeback. Just like jail house single needle style tattoos were out and now are the bees knees again. I'm a walking bill board of my life career trends. You can look at my body suit and see all the fads I road in on. Today the small print text on the rib cage is hip with the kids, because they saw some rock star sporting it in a magazine.

My wish for people to make better decisions is to help them be aware of these pressures and how they make us do shit to ourselves without our completely understanding why. I can live with my goofy tattoos. I am a tattooer. Have been my entire adult life. In saying this, I would rather say no to you, than take your money.

End cap.

My intention on doing this show was to share my view point as to the condition of my industry at this time and how some positive changes could occur if some facts were made public.

I wanted to caution people to make better educated decisions about getting tattooed. To share some of the things that are bothering me and some of my colleagues. I had hoped to use this format to let people know how much of a racket the tattoo schools are and how they are hurting this profession. Not just by squirting out certificates to anyone who has the money to pay for one. But also by the lack of integrity that is being practiced in exploiting this wonderful art. Like I said in the above paragraph, no one reputable is teaching here in Oregon because anyone that is reputable, other than the two that I know of, are tattooing for a living, not teaching just to get by. There is no job placement once you get your certificate. With no portfolio to work from to show your abilities. You will not get a job at a reputable shop. I have met way to many strippers with tattoo certification that can't get a job because they haven't tattooed enough people. Hence why we made the comments as to how these fledglings after not being able to acquire a job with working tattooers, go and open up their own shops. Which over saturates our market. These same people are charging the same rates that someone with experience is charging, only to practice on you. If you are an educated collector, you know the difference. Not everyone knows.

If you are a want to be tattooer, I would hope after spending thousands of dollars to have someone shuffle you through the required hours of training to be in this industry you would want to have something to show for your investment after making it. I believe the true path to preserving this trade for the future, if you want to be a tattooer, is by taking an apprenticeship with a world class tattooer. If you don't have what it takes to inspire a master tattooer to teach you what they know, then maybe you shouldn't be a tattooer. It's really not for everyone nor was it meant to be for everyone.

This trade has such a rich history that was long over looked and under appreciated by main stream for way too long because it wasn't accepted in the norm. Now that it is accepted by society for the time being. I would like to preserve what is left of it's dignity. Real deal.

Mondial du Tatouage 2013

Fortune will be visiting Paris during the spring for Tin-Tin's World of Tattooing 2013.  

Here's a sweet trailer for the show.

In 1999, Jennifer Billig and I worked together at Tin-Tin's first Tattoo Du Monde.

I was flying under the Outer Limits banner  at this time.

What do I recall from this first experience? Walking through the Charles du Gaulle airport with bubbles coming off my boots. I had been thrown into the pool by some of my tattoo gal pals in Florida at a poolside party just before I left for Europe. Being ridden around the city on the back of Bruno's 55 BSA. Buying flowers at the market for our booth with Jennifer after enjoying our morning continental breakfast. Coming out of a drunken stupor to find myself surrounded by real vampyres. Thankful P.M. was there to pull me out of that spell. Realizing if I hadn't left when I did, I never would have been able to. Rummaging through the flea market with Seth and some pals on the look out for brass thing-a-mick-gigers and special souvenirs. Every night we had a bottle of champagne delivered to our booth. Spitting off the Eiffel Tower and having half of it flip back into my face. Having Tin-Tin make me look at Robert Hernandez's portfolio. Robert was up and coming then and had not reached the U.S. yet with his talent. I was blown away and couldn't wait to tell everyone at home about this phenomenal artist and what he was doing with his tattoos and paintings. The venue music was picked by artist's for the artist's pleasure.

This was the first time I had experienced a promoter working hard to make not only the public but the artist's experience worth the while.

We were entirely spoiled to great dinners by some of the finest chefs in Paris, and had carte blanche to all the after hours clubs.

I stayed up with the late night creeps til' the wee hours of the morning and made it back to my room in time to join the sober folk to see all the sights I could.

I learned from this experience to take in everything.

Sleep? There would be time for that when back on the plane headed for home.

All these years later, I am excited to seeing how Tin-Tin will top himself this time around.

Much love and respect.

logohome

 

Deities from Los Angeles

This year 2013 began with my working on Tomoko and Charles from LA.tomoko#greentara#ms.mikki They came up for the holidays, to visit some family in Washington and spend some time with us here in Portland. I had started a version of Green Tara on Tomoko earlier this year and still had a ways to go on Charles' back. We were able to ring in the eve of 2013 by spending the day working on their pieces at Fortune.

Tomoko, and our friend Sandy and I used to be house mates in Los Angeles in the nineties. We had two houses on one lot in Los Feliz. Toonerville territory back then. I loved that little house. We made some epic history while living there. During this time, my friend Erika came and stayed with me for a bit while she refocused  her self and began fulfilling her future dreams. Somewhere in between here and there, Erika manifested a beautiful rendition of Quan Yin on Tomoko's back.

In an alternate reality, I met Charles a few years later down the road. Upon developing our friendship over the course of a few years and many miles covered on road trips with our bikes, we began his Mahakala back piece here in Portland. I had assumed Tomoko and Charles knew each other since we share so many mutual friends. Our friend Sandy and Erika being among them.

Reflecting now, on how many times we were at the same shows together, or at parties in various cities. It is truly bizarre they had not been introduced already. Then on one shameless LA night, Sandy invited the both of them to an art exhibit where they finally met formally. A few months later at one of Erika's memorable anniversary parties celebrating the success of her tattoo shop they became an official couple. I love these small world synchronicities. It seems love flickered its tender flame towards their hearts and left a lasting impression. I am happy to say, they are a loving, healthy, considerate couple that I am grateful to have as friends. These two ships had passed each other on so many nights and in the same waters of life in Los Angeles without ever making contact. It took some Deities to bring the lamp of love to show them the way. Many blessings to the both of them on this wondrous union. *Update. They became officially engaged in Paris this past April. Woot.

Fortune Gift Certificates

Yes the holiday season is upon us, again. What better way to gift your beloved than with a gift certificate from Fortune Tattoo. We honor our gift certificates for one year after purchase date. We do ask that you contact us at least a month before the expiration date, so that we have time to fit you in on our schedules before it expires. Our gift certificates are available all year, for those that like to give without it having to be a holiday to show your love. Happy holidaze from the Fortune Tattoo crew.

Evolve into 2013. Olivia Britz 12/21/12 Flash.

Hey Portland: Before you attend your end-of-the-world party.

Stop by the shop for one of Olivia's uniquely drawn mementos in honor of our lovely world and all it's mystery!

Feel like you deserve a little something to mark the occasion?

All drawings are as is.

$50.00 to $100.00 bucks, depending on size chosen.

"One day only".

First come, first served.

Sign in sheet with time schedule will be used.

And for those faithful O'Britz collectors, a super secret second sheet will be making an appearance!

Starts at 1pm Friday at Fortune Tattoo.

 

 

a Bowlful of Heart

November 23rd through December 22nd. Fortune Tattoo Portland will have a donation bin in the front lobby available for your donations.

Please stop in and leave some sustenance for the furried ones.

This drive is to benefit Hopes Haven and Newberg Animal Shelter.

Cheers, M

When a client wants "someone else" to finish an existing piece.

When a client wants "someone else" to finish an existing piece. This can be a very heated topic for some. I'm not exactly sure why, since it is not our bodies to be territorial over and or our artwork once we put it on other people that pay for our service. Most people that come to me are not looking for a deal to get their work finished. They just want to see their work finished and done properly. There are many variables to consider with this process. Over the years I've had this situation come up and have tried my best not to offend anyone. When a potential client comes to me to finish existing work, I ask them [the client] to let the other artist know first. This is not always possible. Since most times when these situations come up, it's because the client has had a falling out with the original artist, cannot find them, the artist moved to another state/country, or wishes to not have them [the artist] work on them [the client] any longer because they are not happy with the results.

I rarely get clients that will come to me from well established artists. Though it has happened in the past due to the artist/client not getting along and not seeing the relationship ever reconciling. In this particular case, a man came to me that had had a falling out with his artist and just wanted it done. I requested he get permission nonetheless. Which he told me would try. I finally agreed to help him. He had an outline established which I filled in for him, keeping to the integrity of the piece. I worked as if I was doing a collaboration with this artist. Of course after we completed the project, I find out from the original artist that they had reconciled their friendship. Go figure.

It's a rather delicate subject to consider, this helping people achieve a finished piece that was started by someone else. The end result is making the client happy and making effort to be respectful to the original artist if possible. So what if the client just doesn't like the results, because the artist working on them is not at the caliber that they had hoped they would be when deciding to take on a large project? Who is my loyalty to? After considering the options, my loyalty is to the client. And to this art.

There are enough botched attempts out there in the world. I'm sure I have many from my own efforts over the years at trying to develop my own techniques. Am I offended when someone leaves me to go to another artist to get the work I started finished? No. I'm sure it has happened many times over the years. If they leave me, it's most likely because they have good reason. I can only hope they leave me because they have found someone that can do a better job than I can, instead of their having found someone to finish the work for a deal or due to their impatience from having to wait to have the piece finished. In closing. If I can help someone not have to cover their arm in solid black or have to under go many sessions under a laser to remove the mess. I will, respectfully.

Guest Tackatooer/ Matt Howse* August 15-16, 2012

 

 

 

Matt is coming in today. I think he may be over Mt. Shasta as I write this. Hope he doesn't wear out his arms on the flight up from San Francisco. We've got  a long week ahead of us. Matt and I will be in Seattle tomorrow for the Seattle Tattoo Expo until sunday and then we will be back in Portland for some fun, tackatooing and hopefully some painting time.

If you haven't set your appointment with him as of yet, you may be shit out of luck. But just in case, you may contact him to find out his schedule at:

m@reliabletattoos.com

or contact us if you have any questions.

503.234.7071

Let the adventure begin.

June and July 2012

Keeping up with keeping up. Having started into our summer guest cycle.

Summer is really here.

Though today we have had some needed showers, for those that have gardens.

After a week of eighty plus weather in consession, its a small relief for those like myself that enjoy the cool breaks between the heated kisses summer bestows upon us here in the North West.

 

First up and presently happening is Olivia's Stick n' Poke fun day.

So far....she is 7 down...20+ to go.

What a fun and unique way to mark the day then with an original handpoked tattoo.

The wait is worth the while!

 

At  the end of June, Danny Boy came up for aweek and brought his beautiful girlfriend Rosie along to share our paradise here with her.

They took full advantage of our bicycle friendly city and put some good miles down figuring their way around town.

Between nailing out some epic tattooing, eating at many of our tasty restaurants, digging through our vintage stores and some site seeing, the time flew by too fast.

For a final epic moment, after missing their plane home, we jumped on the Motorcylces and road up to my local cemetery to enjoy a splendid view of the sun setting over the Willamette valley.

I missed them as soon as they left the city.

Til next time.

 

Riding the waves.

Fortune Tattoo has been included in some awesome projects this year.

We were included in Bob Baxter's Tattoo Road Trip book on tattoo shops around Oregon. The book is being published by Schiffer Book Publications and should be available for purchase sometime in 2013.

An entire day was spent with our clients here at Fortune while Bob took photos of their work.

We had a great time seeing the diversity our works in one room.

Bob also did small interviews with all the shop owners included in the book, so make sure to check them out on his site.

They are all well worth watching.

We will keep you posted on when the book comes out.

Oregon Represent!

"Alis Volat Propriis".

Also, Fortune Tattoo was included as one of  Matador Magazine's top twenty Iconic Tattoo shops in the world.

I had not done an interview for them, but was pleasantly surprised to see something nice being written about us by someone outside of our Tattoo community.

There are many good articles about other shops on this site, if you are wandering the globe and wish to know the short list to some places worth dropping into.

Olivia also participated in the Pretty Pretty collective down in SF. Hopefully I will be able to participate next year.

I have been in school this summer and have been nailed down to making my brain stretch a few new miles of synapsis growth.

It is a delight to know old dogs can learn new tricks.

I will try to get back to this and update more of our fun happenings.

Next on Track is Lisa Schmoldt and Matt Howse, Faerie Worlds, Seattle Tattoo Expo., among other history making events coming soon.

 

 

 

 

Custom tattoo design for client reproduced without permission.

So…this was a shock.

The tattoo I did is on the left. I was really pissed at first but now that I’ve had some time to think about it and get used to the fact that nothing is sacred to people anymore, especially with the internet, I’m at peace with it. It’s up to us to educated our clients and also be the ones to give someone their own tattoo and not someone else’s. We must use this discretion since what we do as tattoo artists is permanent. This was not on a flash sheet, it’s an image I painted, put on my business cards, and tattooed on a good friend. It’s personal to me, and probably to them as well.

While I’m flattered (maybe?) that someone liked it enough to reproduce it (without permission or credit, and literally copying it almost exactly), it’s still disrespectful. I won’t name who did it because everybody makes mistakes, but I want to take this opportunity to try to let other people know that it can happen to them, and also to think about it before you just grab something and use it.

In this age of instant gratification, blogging, and reblogging, please credit your sources, or if you want to be even more decent, ask permission. It really goes a long way.

XO

O. Britz

Olivia tattoos Jordan Hoffart

Jordan Hoffart Pro Model Released With New VCJ Artwork

From the time he was 10, Jordan Hoffart knew skateboarding was his life. For years, he lived his life in Vancouver working construction and skating every spare moment he had. In 2009, Jordan moved to San Diego from his Canadian homeland to live the skateboarder’s dream. Working his way up the ranks from shop sponsored skate rat to professional skateboarder, Jordan has paid his way with blood, sweat and sacrifice; the only true way to make it.

Today, Powell-Peralta is excited to announce Jordan Hoffart’s much-deserved pro model, The Hoffart Pegasus, featuring one-of-a-kind graphics by the mystic, Vernon Courtlandt Johnson. This is VCJ’s first commercial offering since his highly anticipated return to Powell-Peralta.

VCJ, known for some of the most iconic graphics in skateboarding history, has returned to Powell-Peralta with a vengeance. “I had been away from skate art for a long time in order to find some answers to personal questions. I am satisfied with what I have found. I am back in the game of skate art,” said VCJ reflecting on his return to skateboarding. In his early career, VCJ was the man behind the Ripper, Caballero Dragon, the Tony Hawk Hawk Skull, the Ray “Bones” Rodriguez Skull & Sword and the Mike McGill Skull & Snake graphics.

After some tinkering to the initial design, VCJ has produced Jordan’s pro model graphic with a Pegasus theme of a winged horse. VCJ shared his insight on the image, “I see the symbol as a representation of the eternal soul and physical body. I am the soul and my body is the the horse that carries me through life. The logo behind the image represents those who love and support Jordan in respects to his giftedness, devotion and time in this form as Jordan Hoffart.”

“I’m stoked the way it panned out,” said Jordan reflecting on the experience, “It’s amazing. The whole process of sitting down and really getting to know VCJ was a blessing. The amount of energy, time and effort he put into making this graphic is unbelievable. I literally got a stack of 100+ sketches he did leading up to the finished drawing. I’m beyond stoked to have this opportunity given to me.” The levity of the first VCJ graphic since his return to skateboarding is heavy to Hoffart. “I just got it tattooed on my arm, so I get the significance of it. It’s a huge honor.”

Powell-Peralta’s commander in chief, George Powell, talked about the time and effort that went into the project. “Jordan’s new graphic is a gift of love from Court. We spent the kind of time on it we used to in the early 80s, months, until it was as good as we could make it, so it will last forever.” Powell hinted at the velocity of the creative hurricane stirred up at Powell-Peralta since VCJ’s return. “Working with Court is very different than it was 30 years ago, what used to be difficult is now easy, and Court’s depth of understanding of both the skater he is creating a graphic for, and the deep meaning of the graphic keep bubbling to the surface as the design evolves. We are having too much fun.”

The Hoffart Pegasus comes in two dimensions and is available in royal purple and blood red. The Hoffart Pegasus 1 is 8" X 32.125" with LIGAMENT™ technology, and the Hoffart Pegasus 2 is 8.5" X 33.5" both featuring a VCJ masterpiece of ride-able art on the highest quality skateboard decks available.

The first five decks offered will be signed by VCJ and Jordan and available on the Skate One site Saturday. The net proceeds of the sales will be donated to the Grind For Life Organization.

Before September 2011

Where to begin. Summer here in Portland crept in late and seems to be creeping out just as it came in. Without a bang. In the beginning of August, I joined Lisa Schmoldt  in Seattle for the 10th anniversary show there at the expo. I was pleasantly surprised. I really like that show. I had not been there since the National show where they roasted Ed Hardy a few years back. And before that, was when Dennis Dwyer had his show there. That was one of the last times I saw Eric Hogan alive. He was toting his son Dixon around on his shoulder looking as happy as ever. I had also tattooed Danny Dringenberg's hand in our hotel room that weekend. It was a cover up on top of a cover up on top of a cover up. O joy. The funny part, was when we started, he wipes his brow and tells me he just ate an eighth of mushshrooms. I remember laughing and telling him, "ok, here we go, I'm right in there with you buddy". Oh yeah, I'm supposed to be writing about the recent past. Ok, well the Seattle show was terrific. I will definitely be back next year. Between all the work, the parties, art shows and the yummy dinners, my favorite memory was at the end of the show. Under the Needle fed us an amazing meal and then had the party buses scoop us up and take us to The Stables. I love that place. The cross made of flies, really ate at my brain for a week or so, and  creeped me out thinking about it on my drive home that night.  My friend Matt Howse was here holding down the fort with the rest of the Fortune crew. I was excited to get back  to Portland to have some quality time with Matt before he bounced back to SF. I was able to persuade him in taking a ride out to our replica of stonehenge out off the 84hwy nears Biggs Oregon on one of our days off. We rode about 230 miles that day. Just a juant. Along the way, we took him past Crown Point and down the historic hwy to see all the falls. It was a beautiful day and I am so happy to have shared that experience with him. The next day, we took him down the Clackamas river on tubes. Its about a three to five hour trip. Depending on how often you stop to hang and watch people float by. Weve been able to go about five times this year on our days off. I love it. It reminds me to take a minute and enjoy the simple beauties in life. Cheap fun worth the effort. Matt made some pretty at the shop. I am really stoked to have had him here for the week, he is one of my favorite people on the planet. Crammed to the gillet with talent and integrity. I look forward to having him here next year. I love having our guest artist friends come hang and add to the creative buzz we have going on. The shop has been running smoothly. I am so grateful to all our clients for letting us make such awesome tattoos on them. Many of the most recent tattoos have challenged me to push forward and to take a step out of my comfort zones. I love feeling like even after all these years, there is still so much to learn. Anyhow, thought I'd update you with our shenanigans. Take it easy. M

The end of July

Hello there. Here we are at the end of July already.

A whirlwind of events have taken place over the past month. I can not account for all of it. So here are some high-lights.

At the beginning of July we had Lisa Schmoldt here from Florida. She had started her west coast tour in Long Beach California in the beginning of June. She went there to hang with the pirates and the mermaids, at the tattoo show being held down there on the Queen Mary. She then migrated north to Eugene Oregon to hang out at Fairie Worlds for a weekend of flittering and mead drinking. When she finally arrived in Portland, she was covered in glitter and fairie dust. She spoke with the air of a cantankerous salty sailor that had spent a long while with the argh's, e's and the bargh's. We swooped her up fast. Got her geared up properly and planted her butt on the back of my bike for some Portland adventures.  She made fast time in making friends with our biker pals. Mind you she is a polite, fairie loving tattooed lady...that can out talk the knarliest of the bunch. By the time we were done with her, or may I say she was done with us...the glitter had long fallen off in a pair of fingerless rubber gloves. We loved having her here and look forward to next year's adventures.

Danny Boy was supposed to come up for a visit from SF and ended up canceling his trip because his mom who is a saint of sorts, when it comes to taking care of herself. Got diagnosed with a rare form of blood cancer. So he stayed to pull together a benefit to help raise some money to help her with living expenses. I pray for them everyday. Its quite an eye opener of how precious we all are and how even the healthiest of us, can be prey to disease. If you would like to donate please contact Danny. I believe there is a paypall account set up for the cause.

We had the legendary Madame Vyvyn Lazonga come down from Seattle to spend some quality time with us at Fortune. Vyvyn is a treasure trove of tattoo stories and tattoo experience. She arrived in Portland and without hesitation, geared up in my old Langlitz and boots. Fitted with a helmet and gloves, she jumped on my bike and showed me she was no novice to riding. We rode to Toro Bravo to meet up with our friends from AWR who were celebrating Jeff Groci's, from Seventh Son, last night in Portland. We ate our hearts fill from the chef's pick. It was a fine dinner to welcome such a wonderful woman to Portland and say "til' next time" to Jeff. Over the five days Vyvyn was here, we spoke alot about how the women of the tattoo industry have had little to any opportunity handed to them. Not that "our kind" wants anything without working hard for it. It was interesting to discuss this topic with Vyvyn and see that it has been going on her entire, almost forty years, career. I had thought when the old timers died off, the men's club attitude would go to the grave with them. Instead, those old boots, so to speak,  got filled with less talented, less interesting, more egotisical self promoters, who seem to think throwing in a token lady tattooer suffices to including us in the game. In Vyvyn and my dicussion, we both agreed, we dont want a men's club vs. a woman's club. We would like to see more of an effort to reward the solid women tattooers that made a difference in the industry. Shoulder to shoulder with the men folk, hands down past gender, reward them for the works they have done. To quote Vyvyn, " in the past women, in the writer's industry, had to take on sudo-names, to be acknowledged.  Men seem to organize better, be more motivated to self promote and are more clan like in nature". We would like those women that have participated in making a change be recognized and included. That's all. I recently saw a top twenty five list of tattooers, that were of inspiration to some of my friends in the industry. What hit me, was most of all the tattooers listed were men. Some of which had learned their technique, style from women, that they had worked for or under. Which is not mentioned. If I were to make a top twenty five list of tattooers that have inspired me as a tattooer. There are nearly as many women on my list as men. Not sure what that says about me, other than perhaps, I dont mind admitting, where I get my inspiration. Maybe knowing where certain techniques orginated from and by whom, gives me a different perspective, who knows. What came about from our talks, was that in the end. We have to do it ourselves. Seems no one is going to share the pie unless we jump in and take some for ourselves. And no, having a tv show that depicts that it takes longer to put on my lipstick than to draw a backpiece is not a piece of the pie. My problem with the current situation is, this is history being made. History, that people ten years from now, will think is fact. When in reality, most of the publications to date, have been nothing short of a circle jerk of people, social clicks that have had the means to publish their voices and their works. Regurgitating the same iconic imagery and stroking themselves for re-inventing the wheel. These are some of the same people that have  supported  the social ladder climbers, and the user friendly douchebags that get a quick taste of fame without it being due. These people tend to have ego's out fitting their talent. They are abusive, undeserving and need to step to the back of the line. Come on folks. Support those that have a body of work, that have stories to share from real life experiences. People that positivily touched others and made a dent, if not a canyon, of growth for all of us. In fine perspective, more people should know Vyvyn. She paved the way for those that run the course. She is still working hard, everyday. She like a few others, sacrificed everything for this art. She is still pushing her limits, challenging herself and keeping up with the times. Vyvyn did a live broadcast with Bob Baxter while she was here. We had dicussed speaking about this topic during the interview. I wish she would have. Maybe next time the opportunity arises. I hope you will keep Vyvyn in your scopes and keep updated with her accomplishments. There is so much to learn from this kind woman of our business. She is the real deal. Vyvyn ended her stay here in Portland celebrating Mary Jane's thirtieth tattoo birthday at Oaks Park. Mary Jane is another force to be reconed with in our industry. You should know who she is and her colorful history in tattooing.

Finally, yesterday, we celebrated at the FFMC clubhouse to raise money for a little girl that needs support from the community. There was a great turn out and the battle of the bands was epic. Lots of bikes. Lots of good food. Lots of good people coming together for a great cause. http://frannyfund.tumblr.com/

Til' next time, M